Wednesday, 5 May 2010
Tuesday, 30 March 2010
Tuesday, 23 February 2010
Assessment eight - Shooting Schedule by Grace and Jasmine
Asessment 8 – Jasmine Graham and Grace Peel
Shot | Type | Duration (seconds) | Location | Mise-en-scene |
one | Close up | 5-8 | Photograph | Lighter, Photograph |
Two | Establishing shot | 5-7 | School | Costumes-showing what type of person each character is. Spray paint cans. |
Three | Close up | 2-5 | School | Camera |
Four | Long shot | 3-5 | School | Fence, Photos. |
Five | Long shot | 6-7 | On the way to drama studio | School buildnigs |
six | High angle | 4-5 | Breaking into drama studio | Low key lighting and fences making the scene feel enclosed |
seven | pan | 3-4 | Outside the drama studio looking in | See normal everyday classroom then killer in the corner |
eight | Shot reverse shot | 3-4 | Inside drama studio | Worried faces |
Nine | Killers point of view | 5-6 | Inside drama studio | Classroom, big black curtains to increase tensity, graffiti Low key lighting |
Ten | Low angle | 4-7 | In the drama studio | Character flying over barrier, low key lighting |
eleven | High angle | 4-6 | In the drama studio | Character lying on floor and killer moving closer and characters running. |
twelve | Arial high angle | 2-3 | In the drama studio | Character hurt surrounded by spray cans and bottles that were dropped when the others ran |
Thirteen | High angle long shot 180 degree spin | 4-6 | Drama studio | Character lying on the floor, crying glasses lying next to her |
fourteen | Close up pan | 7-8 | Drama studio | Shocked faces of hurt characters friends |
fifteen | Close up Point of view of hurt character | 8-9 | Drama studio | Ceiling then face of killer. |
sixteen | Extreme close up | 4-5 | Drama studio | Killers mouth |
Risk Assessment - By Grace Peel
Risk Assessment
When filming our opening sequence we all will have to consider the risks involved before filming it. For instance, when we ‘break’ into the school, whoever climbs over the fence will have to make sure their safe and are not at risk of causing harm to themselves whilst doing it. Also we will have to walk around the areas of the school that we are shooting in and make sure there is nothing in our way that we could fall or trip over. We will also have to walk round the inside surroundings of the drama studio, and when one of us falls over the banisters in the drama studio in our sequence we will have to make sure there is a mat at the bottom were they will land as then they won’t hurt themselves or put themselves at risk of an injury. Also little things such as running in the yard of the school, we will all have to watch out for on coming vehicles leaving the school as we will be filming at the end of the school day when it is busy. We will also have to watch out for each other when filming, as we won’t want the person who is filming being knocked over by one of the actors and then damaging the camera equipment. We will have to plan out were the person who is filming is going to stand after every shot to make the shooting and running of it flow.
Thursday, 11 February 2010
Assessment 1 - Film Noir Conventions
Assessment 1 - Horror Presentation
Timeline of horror movies
Assessment 6 - organisation
Assessment 5 - by the whole group
- Low Key Lights
Friday, 5 February 2010
Friday, 29 January 2010
Assessment 3 - Genre Research - Inspiration by the whole group
Tuesday, 26 January 2010
Assessment 3 Target Audience by grace peel
The film must not promote discriminatory behavior or language, and it can show drug taking but not promote it throughout the film. The misuse of aerosols for example is unlikely to get the go ahead in the film. The genre of horror can show strong threats and menacing behavior, although it is not allowed to show sadistic or sexualized menacing behavior. Behaviors such as hanging, suicide and self-harming can be shown, but not throughout the film, as the audience could imitate or copy it. Weapons such as guns, should not be in the audience’s face as a centre point all the time. Strong language such as ‘fuck’ can be used but not repeatedly all the time, but the strongest word ‘cunt’ can be used depending on the context and if it fits in with the scene of the film. The use of nudity is allowed in a sexual content but not with strong detail or references, along with sex can be portrayed without strong activity being shown. There can be strong verbal references to sexual behavior, but strongest references won’t be allowed unless the context is necessary. There is generally no theme around this age category as long as the film is appropriate for 15 year olds. There can be strong violence in 15 films but shouldn’t dwell on the behavior or injuries. Strong ‘gory’ images are unlikely to be seen in 15 films along with sexual violence such as rape. If there was to be sexual violence, it would have to justified strongly, although there can be references to this behavior.
The 18 certificates say that adults should be able to choose what film they want to see. The 18 certificates have the same qualities of a 15 but pushes the boundaries even more. There can be more violence, sex, weapons and language used in the films but not go beyond the certificate were the ‘R18’ films come into play. In an 18 film, there can be scenes of sex workers but not strongly as these scenes showing epic images of sex and sexual nature are rated an R18.
R18 films can only be shown in selected cinemas and venues, and there is a strict age of no person under 18. The twisting of the law is strictly not allowed in R18 films along with materials such as rape and pedophilia is strictly forbidden also. Any act of physical harm that may last cannot be shown along with strong abuse and humiliatation that is not in context with the film cannot be shown.
Assessment 2 - title orders
Assessment 2 – titles order
Drag me to hell
Allison Lohman
Justin Long
Lorna Raver
Dileep Raq
David Paymer
Adriana barraz
Casting by John Papsidera CSA
Special Make up Effects by Gregory Nicotera,
Co Producers Cristen Carr Strube, Ivana Palma
Visual Effects Supervisor Bruce Jones
Costume Designer Isis Mussenden
Film Editor Bob Muraws
Production Designer Steve Saklad
Director of Photography
Executive Producers Joe Drake
Produced by Rob Tapert
Written By Sam Raimi and Ivan Raimi
Directed By Sam Raimi